Author: 恩莱

Guzhuang (Chinese: 古装; pinyin: gǔzhuāng; lit. 189 refers to a style of Chinese costume attire which are styled or inspired by ancient Chinese clothing (typically Hanfu or Qizhuang). 189 and in the Wuxia and Xianxia genre. In Chinese opera, hanfu winter plays depicting guzhuang is called guzhuangxi (Chinese: 古装戏; pinyin: gǔzhuāngxì; lit. While the style of guzhuang is based on ancient Chinese clothing, guzhuang show historical inaccuracies. Chinese: 古装新戏; pinyin: gǔzhuāngxīnxì; lit. 48 Guzhuangxi is an important concept in both the field of Chinese opera and to early Chinese film. 81Mei Lanfang is also credited for having invented guzhuangbanxiang (Chinese: 古装扮相; pinyin: gǔzhuāngbànxiāng; lit. This form of guzhuang emerged in 1915 when new Chinese opera costumes had to be created for a new category of female role which had also been developed by Mei Lanfang. 48 His goal was to make his costumes more elegant instead of making it look ancient. 11and to ancient Chinese paintings, especially women in classical Chinese scroll paintings, often based on from mythological figures. 11His costume designs then became known as guzhuang due to their relationship with ancient China, in particular the pre-Qing dynasty period from which his costumes designs were based. The guzhuang designed by Mei Lanfang is characterized with fitted waist. 11 Other performers such as Ouyang Yuqian and Feng Zihe also contributed to the development of the guzhuang design. 189,327 The guzhuang developed by Mei Lanfang different from the traditional Chinese opera costumes in some aspects: the skirts were longer; the skirt was worn under the jacket to make the character look slimmer; the water sleeves were longer and wider; and the accessories were less gaudy. Wuxia, and Xianxia genre. Guzhuang are typically used in Chinese television drama and movies. 66 Guzhuang is also depicted in animations, including donghua and Chinese-theme animations produced outside of China. The first film produced in China was Dingjun Mountain in 1905 which depicted extracted scenes from a Beijing opera play performed by Tan Xinpei. 289 The film was based on the 70th and 71st chapters of the Romance of the Three Kingdoms. In terms of genre, it can be classified as xiqupian (Chinese: 戏曲片; pinyin: xìqǔpiàn; lit. 289 These genres were adapted from Chinese literature and from the Chinese opera stage play as a countermovement against the prevalence of European and American film products. 289-290 The 1920s was marked by the adaptation of traditional Chinese indigenous genre into cinema. Guzhuangpian (Chinese: 古裝片; pinyin: gǔzhuāngzpiàn; lit. 290 The Tianyi Film Company was a major studio which specialized in Chinese genres at that time; its succeeding company, the Shaw Brothers Studio in Hong Kong continued to produce indigenous Chinese genres, such as Huangmei opera films and guzhuang epics. 292 is indigenous genre to China and first emerged in the 1920s in China. However, by definition the term gu (Chinese: 古; pinyin: gǔ), which literally means “ancient”, does not refer to films and dramas which are set in the Republic of China as the Republican period is a symbol of modernity and the end of tradition. This genre is similar to costume drama, period film, and historical film. 41 As a distinct genre, it is characterized by its focus on ancient history and historical personalities. 189 Guzhuangpian also typically depict adaptations of traditional Chinese folktales, plays, and popular novels. 38 Liang Shanbo and Zhu Yingtai produced in 1953 by the Shanghai Film Studio. 290 The origins of Wuxia genre in cinema, however, is quite recent and emerged in the 20th century. The tradition of Wuxia is over two thousand years old having been passed through Chinese folklore, novels, historiography, and popular performing traditions (such as Tanci and Chinese opera). The shenguaipian (Chinese: 神怪片) genre, which often depicts Xian-immortals and demons, was also developed in the 20th century and was also a derivatives of the guzhuangpian. 290 In cinema, the Wuxia genre can be traced back to the guzhuangpian and shenguaipian genre as one of its derivatives. 26 In the 21st century, the Wuxia genre can be a guzhuangpian and a shenguaipian movie. 292 and therefore, it did not always involve the wearing of guzhuang. 293 The Wuxia genre tends to dress its characters into guzhuang. The Xianxia genre typically involves Xian-immortals and immortality cultivation. Most guzhuang used in the production of television dramas, movies and animations do not conform to historical facts and/or are fantasy-inspired. It is also possible for various ethnic Chinese elements to be mixed and matched when designing guzhuang; combining modern fashion elements and/or western-style clothing elements can also be done. When designing guzhuang for films and television dramas, costumes designers consider the modern aesthetic taste of its audience while also conforming and respecting the historical reality. The guzhuang used in the Xianxia genre, for example, is based on the historical hanfu, but is modernized in terms of design resulting in the guzhuang being different from its historical version. Some guzhuang are based on different existing historical clothing worn in different dynasties, and/or inspired by Chinese opera costumes, and murals (e.g. Dunhuang frescoes); they would sometimes have features, or have attire, added, removed, simplified, to create a desired visual impact or to meet the production needs. Characters wearing guzhuang, for example, can have a colour theme which reflect his initial personality; however, this colour theme may change throughout the character development. Moreover, in most movies and television drama, the colours, style, and pattern of guzhuang are also based on the characters found in the script; these costumes characteristics are used to better shape the character’s image and to allow the audience better understand the character through his visual image and to allow for the distinction between characters. Guzhuang can be found in Manhua, such as gufeng manhua (lit. 286 it originally followed similar visual aesthetics as the Japanese shoujo manga in its early development before starting to develop Chinese characteristics between the 2000s and early 2010, after 2010s, shaonu manhua became distinct from the Japanese shoujo manga both in terms of visual aesthetics and storyline. It is also impossible for costume designers to fully restore garment and garment-related artefacts; and therefore, guzhuang designers need to innovate their costume designs based on historical facts. 288 In the mid-2010s, gufeng manhua and gufeng shaonu manhua (i.e. stories adapted from Chinese history and legendary tales, and fictional love stories set in imperial China) became popular. Guzhuang is often confused with or misinterpreted as Hanfu by most people who are not familiar with Hanfu. 288 Chang Ge Xing by Xia Da, Gu Fang Bu Zi Shang (孤芳不自賞) by Feng Nong, etc. Guzhuang can also be found in manhwa, such as Bride of the Water God by Yun Mi-kyung, and in the Chinese-theme Japanese manga, such as Saiunkoku Monogatari by Yura Kairi. And, some Hanfu enthusiasts also wear it instead of wearing Hanfu. Hanfu is a relatively modern design which was influenced by Chinese movies and television drama series and does not exist in history. Guzhuang is, however, also a factor of influence (among many others) to the design of modern Hanfu; for example, the design of Wei-Jin style (Chinese: 魏晋风; pinyin: Wèijìnfēng; lit. Many Xianxia fans also wear Hanfu in their everyday lives, which then promote the growing Hanfu industry. Guzhuang found in Xianxia television drama have also left a deep impact on Chinese audience. Another guzhuang-style costume which has influenced modern clothing in modern-day China is the Xiuhefu designed by costume designer Ye Jintian in 2001 for the role of drama female character Xiu He, played by Chinese actress Zhou Xun, in the Chinese television drama Juzi Hongle (橘子紅了; ‘Orange turned red’), a drama set in the Republican era of China. While basing himself on the clothing of the Qing dynasty, Ye Jintian, however, did not fully respected the historical accuracy of the dress and instead mixed several elements together from similar eras in his costume design. Although the drama was set in the Republic of China, the costume was mainly inspired by the Hanfu of the Qing dynasty, especially those used in the late years of the Qing dynasty in the 1910s as part of the bridal attire. As the Xiuhefu gives a feeling of dignity and beauty to its wearer, the Xiuhefu designed by Ye Jintian became progressively popular and eventually became a form of traditional Chinese-style wedding dress chosen by many Chinese brides during their marriage nowadays. This new category of role was called huashan (lit. Guzhuang xinxi depicted plays which were adaptations of Chinese stories and folklores, such as Chang’e flies to the moon and Daiyu buries flowers. The costumes which are typically worn in Huangmei opera are typically guzhuang-style. The Untamed: Design and Concept for more details. The Wei-jin style should not be confused with the Hanfu worn in the Wei and Jin dynasties, see page Hanfu for more details. Honolulu: University of Hawaiʻi Press. Yujuan, Jing (2021). Reconstructing Ancient Chinese Cultural Memory in the Context of Xianxia TV Drama (Master thesis). Bonds, Alexandra B. (2008). Beijing opera costumes: the visual communication of character and culture. Gao, Yuemei (2020). “Research on the Innovative Design of Ancient Costumes in Chinese Film and Tv Plays in the New Era” (PDF). Zhang, Yingjin (1998). Encyclopedia of Chinese film. Xu, Jiaxuan (2019). Exploring Hanfu (Fashion Clothing and Textile Design thesis). Zhiwei Xiao. London: Routledge. Teo, Stephen (2019). Wong Kar-Wai. Tian, Min (2012). Mei Lanfang and the twentieth-century international stage : Chinese theatre placed and displaced (1st ed.). Hong Kong: Hong Kong University Press. Li, Ruru (2010). The soul of Beijing opera : theatrical creativity and continuity in the changing world. Macdonald, Sean (2016). Animation in China : history, aesthetics, media. Fan, Xing (2018). Staging revolution : artistry and aesthetics in model beijing opera during the cultural revolution. Ye, Tan (2020). Historical dictionary of Chinese theater (Second ed.). Yan, Yuqian (2019). The Ancient as Enchantment: Cinematic Representation of the Past in Republican China (Thesis). The University of Chicago. Zang, Na (2019). “The Application of National Elements in Animation Costume Design”. Proceedings of the 2019 5th International Conference on Humanities and Social Science Research (ICHSSR 2019). Vol. 319. Atlantis Press. pp. Yingjin Zhang, ed. (2012). A Companion to Chinese Cinema. Xuelei, Huang (2014). Shanghai Filmmaking: Crossing Borders, Connecting to the Globe, 1922-1938. Leiden: BRILL. Ying Zhu, Stanley Rosen. Hong Kong: Hong Kong University Press. Zhang, Yingjin (2004). Chinese national cinema. The Oxford handbook of Chinese cinemas. Art, Politics, and Commerce in Chinese Cinema. Teo, Stephen (2009). Chinese martial arts cinema: the Wuxia tradition. Rawnsley, Gary D.; Ming-Yeh T. Rawnsley (2010). Global Chinese cinema : the culture and politics of “Hero”. Eileen Cheng-yin Chow, Carlos Rojas. Wanning Sun; Ling Yang, eds. New York, NY: Routledge. Lorraine Lim; Hye-Kyung Lee, eds. 2020). Love stories in China: the politics of intimacy in the twenty-first century. Meaghan Morris; Siu Leung Li; Stephen Ching-kiu Chan, eds. 2019). Routledge handbook of cultural and creative industries in Asia. 2005). Hong Kong connections: transnational imagination in action cinema. Durham: Duke University Press. Art, Politics, and Commerce in Chinese Cinema. Hong Kong University Press. Teo, Stephen (2010). “6 The Martial Arts Film in Chinese Cinema: Historicism and the National”. Wang, WeiPeng (2017). “Research on application of Chinese culture in animated movie KungFu Panda”. Mondor, Brooke (2021-04-25). “Why Mulan’s Costume From The Live-Action Mulan Makes No Sense”. Proceedings of the 2016 2nd International Conference on Economics, Management Engineering and Education Technology (ICEMEET 2016). Vol. 87. Atlantis Press. pp. Chang-Yau Hoon; Ying-kit Chan, eds. Tang, Lian; Wang, Chenyi (2022). “The Research on the Comparison of Hanfu Fashion Short Videos on Douyin and Tik Tok”. 2021). Contesting Chineseness: ethnicity, identity, and nation in China and Southeast Asia. Proceedings of the 2021 International Conference on Social Development and Media Communication (SDMC 2021). Vol. Li, Yuling (2019). New meaning in traditional wedding dresses – Xiu He Fu and Long Feng Gua – in contemporary China / Li Yuling (masters thesis). This page was last edited on 18 November 2024, at 20:32 (UTC). 631. Paris, France: Atlantis Press. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

Photo shows the Hanfu-themed parade held to celebrate the Hanfu cultural festival. Four groups of young enthusiasts wearing Hanfu left from four different landmarks of Chengdu on Nov. 22, and arrived at Wenshufang folk culture street on the same afternoon. All the Hanfu enthusiasts, including some foreigners, then paraded down the street to celebrate the festival and show the beauty of Hanfu. Photo shows the Hanfu-themed parade held to celebrate the Hanfu cultural festival. The lively event attracted many local citizens and visitors. Chinese citizens’ ideas about Hanfu have changed a lot in recent years, according to a Hanfu enthusiast who has taken part in the cultural festival activities for two consecutive years. One visitor surnamed Zhang took photos of the festival and said that such events are interesting and very helpful for promoting traditional Chinese culture. Photo shows the Hanfu-themed parade held to celebrate the Hanfu cultural festival. In the past, when people took the subway in Hanfu, others would look at them and think they were weird. Now, however, Hanfu has already become a part of many people’s lives, and more people are willing to learn more about the clothing and history, said the Hanfu enthusiast, adding that it was great fun to showcase the charm of Hanfu at such events.

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Hanfu comprises all traditional clothing classifications of the Han Chinese with a recorded history of more than three millennia. Each succeeding dynasty produced their own distinctive dress codes, reflecting the socio-cultural environment of the times. Ceci est un résultat de recherche, pas une publicité. It also had a far-reaching influence on the clothing in other neighboring Asian countries, such as the Japanese kimono, the Korean hanbok, and the Vietnamese Áo giao lĩnh. Hanfu was a symbol of traditional Chinese culture. Ceci est un résultat de recherche, pas une publicité. Chinese clothing started to be adopted by the Japanese in the 5th century. 4 Well-Known Traditional Chinese Clothes Types. The Hanfu, Zhongshan suit (Mao suit), Tang suit, pink short cheongsam and cheongsam (qipao) are the four most distinctive types of traditional Chinese clothing. 1. Hanfu – The Most Traditional Chinese Clothing. Ceci est un résultat de recherche, pas une publicité. There is also an on-going controversy over whether hanfu is the origin of hanbok, the traditional Korean costume. However, since Han Chinese are the dominant ethnic group in China, people generally refer to ancient Chinese clothing as hanfu. Ruqun is a kind of hanfu, also call: Shanqun (衫裙), short clothes worn on the upper body, call “Ru”, and the dress of the lower body, call “Qun”, together call “Ruqun”. Ceci est un résultat de recherche, pas une publicité. Ruqun has an obvious feature: short top and long dress. It is a typical “Shangyi Xiachang(top clothes and underdress) ” form. Ceci est un résultat de recherche, pas une publicité. Hanfu (汉服) is a traditional style of clothing that has been worn by the Han Chinese people for over 3,000 years, dating back to the Han Dynasty (206 BCE – 220 CE), chinese hanfu from which the name is derived. Ceci est un résultat de recherche, pas une publicité. On traditional Chinese festivals such as Tomb Sweeping Day and Mid-autumn Festival and formal occasions, the younger people put on their Hanfu. Known for its elegant, flowing designs and rich cultural symbolism, the Hanfu has long been associated with China’s ancient history, Confucian values, and aristocratic heritage. Once, on top of Xi’an City Wall , more than one hundred couples got married in a ceremony according to ancient edicts wearing Han Chinese garb. Traditional Hanfu, the traditional attire of the Han ethnic group in China, is an embodiment of elegance, grace, and cultural heritage. Ceci est un résultat de recherche, pas une publicité. This article explores the beauty of Hanfu, its historical significance, styles, and variations, as well as its revival in modern times. Ceci est un résultat de recherche, pas une publicité. Cultural Significance of Hanfu Symbol of Han Chinese Identity. Hanfu represents the rich cultural heritage of the Han ethnic group, reflecting Confucian values such as propriety (礼) and filial piety (孝). With its rich history dating back thousands of years, Hanfu holds a significant place in Chinese culture. Ceci est un résultat de recherche, pas une publicité. Hanfu (汉服, hàn fú), Chinese traditional costume, the full name of which is “traditional costume of Han nationality”.

According to archeological findings and recorded literature, the Hanfu style in the Shang and Zhou dynasties was a narrow, long-fitting garment with a belt at the waist, which was a one-piece garment. In ancient times, the tunic and skirt were two separate pieces of clothing. The “Kua” was tied around the waist, and the “Shang” was fastened with a belt. The sleeves were wide, and the collars were loose-fitting and draped over the shoulders. The top was called “Shang,” and the bottom was called “Kua.” The “Shang” was worn over the “Kua,” and both were long, covering the body from head to toe. This type of clothing was still in use during the Han Dynasty. During the Han Dynasty, the “Shang” and “Kua” were still worn separately, but by the end of the dynasty, they were being sewn together at the collar, while the sleeves remained separate. In addition, the Hanfu in the Han Dynasty began to be composed of different pieces of clothing. This style was distinct from the previous period because the sleeves were shorter, the collar was more fitted, and the length of the garment was shorter. The “Shang” was a long top garment, and the “Kua” was a short skirt. During the Wei Jin Southern and Northern Dynasties, the “Shang” and “Kua” were often worn as one garment. This period also introduced a new style of wearing the “Kua,” which was tied at the waist with a belt, and the excess fabric was folded and tied with a smaller belt. By the end of the Wei period, the “Shang” was being worn over the “Kua,” and by the Jin Dynasty, it was being worn over pants. By the Southern Song Dynasty, the “Shang” was being worn over pants, which marked a significant change in Hanfu fashion. This new style was more practical for daily life and work and was the beginning of the modern Hanfu style. Here are some of the key design elements. All Hanfu designs have their unique cultural significance, historical periods, and aesthetic characteristics. Hanfu utilizes advanced color combinations that integrate different meanings. The colors chosen for a specific Hanfu can show the wearer’s social class, age, and status. For example, red symbolizes luck and joy, while purple depicts nobility. They are achieved through layering different colored garments. The color combinations of Hanfu are usually vibrant and harmonious. Patterns and embroidery on Hanfu are usually the same as the colors. These garments can be solid colored, patterned, or embroidered. They are symbolic and can depict mythical creatures, flowers, and clouds. Embroidery is the most popular method commonly used among the noble class. The patterns are usually applied through weaving, dyeing, or embroidery. Different motifs are associated with different meanings. Silhouettes and layering of Hanfu are more complex. Most Hanfu are designed with loose and flowing silhouettes that are accompanied by multiple layers. For example, peonies symbolize wealth and prosperity, while cranes depict longevity and immortality. Each layer has its distinct style and significance. The loose and flowing nature of Hanfu offers comfort and freedom of movement. The multiple layers can be adjusted according to the season and occasion. The top layer is often the most decorative and is accompanied by wide sleeves and low waistlines. Some of the commonly used fabrics include silk, cotton, and hemp. Silk is mostly used in the upper-class Hanfu and is known for its softness, sheen, and durability. Fabrics and textures used in Hanfu highlight the use of natural fibers. Cotton and hemp are used in everyday Hanfu. The fabrics are developed through weaving techniques that create different textures. Innovative features in modern Hanfu designs may include adjustable ties, hidden pockets, and reversible styles. For example, silk can be smooth or slightly textured, while cotton can be soft or more textured. These features enhance comfort, functionality, and versatility. Reversible styles offer two different looks, providing greater flexibility for various occasions. The cultural significance of Hanfu is depicted through its design elements. Each element tells a story and connects the wearer to their heritage. For instance, adjustable ties allow for a customized fit, while hidden pockets add practicality without compromising the aesthetic. The colors, patterns, and silhouettes are steeped in historical meanings and traditions that are passed down through generations. The revival of Hanfu in contemporary society also illustrates a strong desire to reconnect with one’s roots and traditions. This makes each Hanfu a living representation of Chinese culture and history. This is despite modernization and globalization. When wearing a Hanfu, the first step is to choose the right size and style that fits the body. Wearing and matching a Hanfu can be a delightful experience that allows one to immerse themselves in traditional Chinese culture. Next, layer the Hanfu top, known as the “Shang,” which is usually a cross-collar shirt made of soft fabric. Start by putting on the inner garments, such as the slip or camisole, to ensure comfort. Secure it by wrapping the right side over the left and tie the strings provided. Pair it with a long sash that ties around the waist to hold the Hanfu in place. For the bottom part, wear the “Ku” or trousers, which usually sit high on the waist. Complete the look with traditional footwear like cloth shoes or sandals, ensuring they match the color and style of the Hanfu. Lastly, add any additional layers like the “Dai,” a waistband, or the “Jia,” a jacket, depending on the weather and occasion. Start by selecting a top and bottom that complement each other. Matching a Hanfu involves coordinating different elements to ensure a cohesive and authentic look. For instance, pair a light-colored “Shang” (top) with darker “Ku” (trousers) for a balanced appearance. Consider the color palette, as Hanfu outfits often use harmonious colors inspired by nature. Pay attention to the patterns and textures; traditional Hanfu often features intricate designs like flowers or clouds. Accessories play a crucial role; choose hairpins, ribbons, and jewelry that complement the outfit’s theme. Next, add layers such as vests, jackets, or sashes that match or contrast appropriately with the base outfit. Finally, choose the right footwear, preferably cloth shoes or sandals, that match the color and style of the Hanfu to complete the look. Q1: What are the main components of a hanfu outfit? For instance, a floral hairpin pairs well with a flower-patterned Hanfu. A2: Hanfu is composed of distinct parts, including the “yi” (top garment), “chang” or “ku” (skirt/trousers), “dai” or “yao” (sashes), and “jiao” or “shoes” (footwear). Each piece has cultural significance and varies by dynasty. A2: Select a hanfu that aligns with the occasion’s formality. Consider the season, time of day, and cultural significance to ensure appropriateness while respecting traditional customs. Q2: How does one choose the right hanfu for an event? A3: Yes, hanfu varies by season. Lightweight fabrics like silk are worn in summer for breathability, while layered, warmer materials such as wool or cotton blends are chosen in winter for comfort and warmth. Q3: Are there hanfu styles for different seasons? Q4: How can one care for and maintain hanfu garments? Air dry away from direct sunlight to preserve colors and fabrics. Professional cleaning is recommended for intricate embroideries or delicate materials. A4: Hanfu requires gentle care, often handwashing in cold water with mild detergent. A5: Yes, qipao dress short hanfu can be styled for contemporary fashion while retaining traditional elements. Q5: Can hanfu be adapted for modern wear? Pair hanfu tops with modern skirts or trousers. Accessorize with contemporary jewelry and adapt hairstyles for a modern twist on this ancient attire.

GUBEI WATER TOWN, China, May 1 (Reuters) – The mock Qing dynasty village nestled below the Great Wall would normally be teeming with tourists on Labour Day, but the thin crowds on Friday showed that while China’s coronavirus epidemic has subsided, people’s fears could take longer to fade. Its marketing manager reckoned on getting just a tenth of that number this year. Guo Baorong. For a start, there will be no international tourists this time, he said, noting foreigners would normally make up around 15% of visitors. During holidays, some 100,000 visitors a day would traipse round the quaint stone-paved streets of Gubei Water Town, 110 kilometres (68 miles) northeast of Beijing. About 70% of China’s tourist attractions had reopened as of Thursday, according to China’s Ministry of Culture and Tourism, but all sites have had to cap visitors to 30% of designed capacity. More sites, including the Forbidden City in Beijing, were set to reopen Friday. Staff at the entrance to Gubei Water Town checked visitors’ temperatures and health tracking codes. And inside, lines on the ground directed tourists to stand one meter apart and stores used ropes to keep crowds from forming. Still, in places where tourists squeezed together as the streets narrowed, staff shouted at them to spread out. Like everywhere in China since the lockdowns were imposed to stem the epidemic, everyone wore masks. Some tourists enjoyed the smaller crowds. Xiao Chen, qipao dresses a 24-year-old student wearing traditional Chinese garb known as “Hanfu” came to Gubei to take pictures around ancient architecture. The tranquility may not last. Room bookings jumped on Thursday after Beijing and nearby areas began easing coronavirus restrictions, with about 90% of accommodation now reserved.

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Hanfu comprises all traditional clothing classifications of the Han Chinese with a recorded history of more than three millennia. Each succeeding dynasty produced their own distinctive dress codes, reflecting the socio-cultural environment of the times. Det här är ett sökresultat, inte en annons. Hanfu was a symbol of traditional Chinese culture. Chinese clothing started to be adopted by the Japanese in the 5th century. Det här är ett sökresultat, inte en annons. It also had a far-reaching influence on the clothing in other neighboring Asian countries, such as the Japanese kimono, the Korean hanbok, and the Vietnamese Áo giao lĩnh. From its rich history, exquisite designs, making and layering to how it differs from the Japanese kimono and Korean hanbok. Unravelling the fascinating world of Chinese traditional clothing, hanfu. Det här är ett sökresultat, inte en annons. From a niche hobby to a nationwide trend, a look at how China’s ancient hanfu grew into a 10.2-million-wide customer base. Legend traces it back to over 4,000 years ago when Huangdi’s consort, Leizu, made cloth with silk. Hanfu – The Most Traditional Chinese Clothing The Hanfu (‘Han clothing’ – the majority of Chinese are of Han ethnicity) is the oldest of China’s traditional clothes. Hanfu culture has also gained attention through online platforms and social media, hanfu female with many people seeking to promote and preserve this important part of Chinese heritage. Conclusion. Hanfu is not just a traditional form of clothing; it is a representation of China’s cultural richness, history, and identity. Det här är ett sökresultat, inte en annons. Det här är ett sökresultat, inte en annons. It’s characterized by flowing robes, wide sleeves, and intricate patterns. Unlike the more commonly known qipao , Hanfu has a richer, older history that represents different dynasties and social classes. Det här är ett sökresultat, inte en annons. After the Qing, Chinese people had adopted western style clothes and the traditional Han people’s clothes never returned in force. Hanfu (汉服) refers to the traditional clothing worn by Han Chinese for over 4,000 years. Some young people engaged in promoting Hanfu through the Internet social networking. Det här är ett sökresultat, inte en annons. In recent years, there has been a revival of traditional Chinese attires. Hanfu (汉服, hàn fú), Chinese traditional costume, the full name of which is “traditional costume of Han nationality”. Hanfu is a direct embodiment of Chinese culture, reflecting the cultural orientation or belonging of the wearer, as clothing and one’s spiritual demeanor are closely intertwined. Det här är ett sökresultat, inte en annons. Det här är ett sökresultat, inte en annons. Hanfu (汉服) refers to the traditional clothing of the Han Chinese people, a cultural heritage with over 4,000 years of history. Distinguished by its flowing robes, elegant silhouettes, and intricate designs, Hanfu holds deep cultural significance and represents the essence of Chinese traditions.

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Dressed in a flowing long robe adorned with beaded floral embroidery from a bygone era, stylist Xiao Hang looks like she surfaced from a time machine as she strides across the bustling Beijing metro, attracting curious glances and inquisitive questions. China has embraced Western fashion and futuristic technology as its economy boomed in recent decades, but a growing number of young people like Xiao are looking to the past for their sartorial choices and donning traditional “hanfu”, or “Han clothing”. These historic costumes of the Han ethnic majority are enjoying a renaissance in part because the government is promoting traditional culture in a bid to boost patriotism and national identity. Period dramas have also contributed to the surge in interest for traditional Chinese garb — “The Story of Minglan”, a TV series set in the Song Dynasty, garnered more than 400 million viewers in three days when it debuted earlier this year. Xiao, who used to work at a state-owned machine manufacturing company, now runs her own hanfu business, where she dresses customers for photo shoots and even plans hanfu-style weddings. There is no uniform definition of what counts as hanfu since each Han-dominated dynasty had its own style, but the outfits are characterised by loose, flowing robes that drape around the body, with sleeves that hang down to the knees. In modern China, the hanfu community spans the gamut: from history enthusiasts to anime fans, to students and even young professionals. Yang Jiaming, a high school student in Beijing, wears his outfit under his school uniform. A government-supported revival in Chinese culture has given the hanfu community a boost: since he entered office in 2012, President Xi Jinping has supported the idea of promoting a Han-centric version of heritage. In April, the Communist Youth League of China launched a two-day conference for traditional Chinese garb, including hanfu. Tang-style beige gown and black boots at a hanfu gathering, adding that his classmates and teachers have been supportive of his style. A live broadcast of the event drew some 20 million viewers, alongside a visceral outpouring of emotions. Bilibili, a video streaming platform popular among young anime, comic and gaming fans in China. There is some way before the style reaches mainstream acceptance in China. Clothes are the “foundation of culture,” said Jiang Xue, who is part of Beijing-based hanfu club Mowutianxia, which has received funding from the Communist Youth League. Others say they’re deterred by the odd looks they get when wearing hanfu in public. Cheng Xia told AFP. In March, two students in Shijiazhuang Medical College in northern China were reportedly threatened with expulsion for wearing the outfits to school. The 37-year-old said she overcame her reservations after going out dressed in a full outfit last year. Meanwhile, the movement to revive Han ethnic clothing is raising questions about nationalism and Han-ethnocentrism — a sensitive issue in China where the government is wary of any inter-ethnic conflict. Its popularity took off in 1920s Shanghai when it was modified into a fitted must-have, favoured by actresses and intellectuals as a symbol of femininity and refinement. Chinese culture scholar Gong Pengcheng. For instance, within the hanfu community, there is long-running opposition towards the qipao, the high-collared, figure-hugging garment that used to be a staple of women’s wardrobes. Yang, the high school student, is more upbeat.

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Please follow the size chart detail as below description and please tell me know what size do you want after purchase. You can wear it for work or join a lolita cosplay party. Sorry, there was a problem. Looking for specific info? 100% brand new and high quality. Please allow slight (1-2cm) manual measurement deviation for the data. Sorry, there was a problem. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.

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Although the wuxia hanfu clothing has made a lot of modifications to the traditional hanfu patterns, especially in TV series for the glamorous effect of the screen, they have created many artistic clothes. However, the martial arts culture has developed a unique fantasy world, and perhaps that is the reason why people love it. This kind of martial arts costume has gone beyond the scope of classic hanfu. Wuxia art is a type of martial art based on the stories of wuxia novels, but it’s more than that. It’s a way of life. It’s a very demanding art form, which requires a high level of physical and mental fitness. The main thing you need to know about Wuxia is that it’s not for everyone. Wuxia martial arts has evolved from a number of different styles, such as: kung fu, xingyiquan, baguazhang, taijiquan, chuanfa, qigong, and many more. In wuxia art, you learn a variety of techniques including swordplay, spear-throwing, and gun-slinging. The main focus is on hand-to-hand combat, but wuxia art also teaches you how to fight with other weapons as well. This style of martial art has been practiced for thousands of years in China, and it is still practiced today by many people. Wuxia cosplay has become popular in modern times, and there are even wuxia cosplay events. Today, wuxia clothing is often used to refer to a specific genre of martial arts movies and TV series that depict the adventures of characters who use martial arts to fight off evil forces. Wuxia fashion is a subgenre of wuxia hanfu cosplay (wuxia costume play), where people dress up as wuxia characters and perform martial arts routines in public. Wuxia fashion is a unique form of cosplay because it combines both fashion and martial arts. It has a long history and is one of the oldest Chinese cultures. Lots of wuxia novels have been translated into English, French, German, Japanese, Korean, cheongsam top 3xx and other languages. It’s also a favorite theme for the Western world. Wuxia novel is an ancient Chinese folktale, which is now considered to be one of the four great classical arts of China. In fact, you can find many Western artists who have cosplayed as a wuxia character. Wuxia cosplay is a great hobby that can bring a lot of joy to your life. In the world of wuxia, there are many different types of characters, each with its own unique set of rules and requirements. You must be familiar with the basic rules of wuxia cosplay before you start to practice. If you want to look professional and won’t cause misunderstanding to others, the most essential key is, to choose the right traditional wuxia style hanfu clothing, rather than fantasy cosplay clothes.

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